"This book is a tour de force in analysing the artistic and historical questions surrounding the manuscript. Szakács discusses previous scholarship, providing a survey of the literature, as well as pointing out the limitations of research. Based on the codicological analysis of the surviving folios, he reviews what we can know about the lost material. He then considers the choice of the particular saints and the episodes that are represented. Recurring visual elements are scrutinised. Finally, the context, the creation of the codex is examined. This volume is a major contribution not simply to medieval Central European art history and history, but also to the study of hagiography and medieval image cycles more generally."