The latest release is Subversive Stages (Theater in pre- and post-communist Hungary, Romania and Bulgaria).

The Last Superpower Summits was presented on April 11 at the Institute for European, Russian, and Eurasian Studies of The George Washington University.

House of a Thousand Floors  is a 2016 INDIES Finalist in the Science Fiction category.   

The Stranger, the Tears, the Photograph, the Touch (Divine presence in Spain and Europe since 1500): a selection of pictures from this forthcoming book is on display in the Hungarian House of Photography – Mai Manó House until May 24.

How They Lived, volume 2 by András Koerner: book launch took place at the Center for Jewish History, New York on March 14, 2017, moderated by Frank Mecklenburg, Director of Research and Chief Archivist at Leo Baeck Institute.

Book launch and panel discussion of Twenty-five Sides of a Post-Communist Mafia State with Bálint Magyar, Júlia Vásárhelyi, András Bozóki, and Balázs Trencsényi was held on March 10, 2017 at the Budapest campus of the Central European University.

2017 Spring/Summer Catalog is available for download.

Roma-Gypsy Presence in the Polish-Lithuanian Commonwealth, 15th-18th Centuries by Lech Mróz received honorable mention for the Kulczycki Book Prize in Polish Studies.

On Holocaust Memorial Day CEU Press offered a selection of texts and photos from recent publications of the press.

Top five CEU Press titles by number of copies sold in 2016:
With Their Backs to the Mountains
How They Lived
Post-Communist Mafia State
Arguing it Out
Hybrid Renaissance

Top five by sales revenue in 2016:
With Their Backs to the Mountains
How They Lived
Art Beyond Borders
Nationalizing Empires
Holocaust in Hungary





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The Bauhaus Idea and Bauhaus Politics

by Éva Forgács

"Drawing heavily on the large number of exceptionally strong monographs and published document collections, as well as Bauhaus archives, Forgacs retells the story with considerable verve, focusing on personalities and ideas, not on the objects or buildings produced... What is noteworthy is the centrality in Forgacs's tale of 'spirit of the age' as the driving force and determining factor in events. Defining 'the polarization of artistic individuality versus the increasing depersonalization of mass production' as one of the fundamental conflicts of our age, Forgacs argues frequently and flamboyantly that the spirit of the age-embodied in tides, waves, currents-shaped the outcome of conflicts." - The American Historical Review

"In this thought-provoking work, the author brings to bear the understanding of the postmodern era and an Eastern European perspective." - Choice

"Forgács tells her story well." - Art History

Forgacs examines the development of the Bauhaus school of architecture and applied design by focusing on the idea of the Bauhaus, rather than on its artefacts. What gave this idea its extraordinary powers of survival? Founded in 1919, with the architect Walter Gropius as its first director, the Bauhaus carried within it the seeds of conflict from the start. The duration of the Bauhaus coincides very nearly with that of the Weimar Republic; the Bauhaus idea - the notion that the artist should be involved in the technological innovations of mechanization and mass production - is a concept that was bound to arouse the most passionate feelings. It is these two strands - personal and political - that Forgacs so cleverly interweaves. The text has been extensively revised since its original publication in Hungarian, and an entirely new chapter has been added on the Bauhaus's Russian analogue, VkhUTEMAS, the Moscow academy of industrial art.

1995
248 pages, 10 illustrations
ISBN 978-1-85866-012-7 paperback $26.95 / €25.95 / Ł24.99

 

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