The latest release is Castle and Cathedral in Modern Prague (Longing for the sacred in a skeptical age). 

CEU Press participates in the Leipzig Book Fair, March 23-26.

The Stranger, the Tears, the Photograph, the Touch (Divine presence in Spain and Europe since 1500): a selection of pictures from this forthcoming book is going to be displayed in the Hungarian House of Photography – Mai Manó House from March 23.

How They Lived, volume 2 by András Koerner: book launch took place at the Center for Jewish History, New York on March 14, 2017, moderated by Frank Mecklenburg, Director of Research and Chief Archivist at Leo Baeck Institute.

Book launch and panel discussion of Twenty-five Sides of a Post-Communist Mafia State with Bálint Magyar, Júlia Vásárhelyi, András Bozóki, and Balázs Trencsényi was held on March 10, 2017 at the Budapest campus of the Central European University.

2017 Spring/Summer Catalog is available for download.

Roma-Gypsy Presence in the Polish-Lithuanian Commonwealth, 15th-18th Centuries by Lech Mróz received honorable mention for the Kulczycki Book Prize in Polish Studies.

On Holocaust Memorial Day CEU Press offered a selection of texts and photos from recent publications of the press.

Top five CEU Press titles by number of copies sold in 2016:
With Their Backs to the Mountains
How They Lived
Post-Communist Mafia State
Arguing it Out
Hybrid Renaissance

Top five by sales revenue in 2016:
With Their Backs to the Mountains
How They Lived
Art Beyond Borders
Nationalizing Empires
Holocaust in Hungary





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Subversive Stages

Theater in Pre- and Post-Communist Hungary, Romania and Bulgaria

Ileana Alexandra Orlich, President’s Professor of Romanian, English and Comparative Literature, Director of Romanian Studies Program, Head of German, Romanian & Slavic Faculty in the School of International Languages and Cultures (SILC), at Arizona State University (ASU)

Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or “inter-theatricality” as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. In the Soviet bloc the theater of the absurd, experimentation, irony, and intertextual distancing (estrangement) were much more than mere aesthetic language games, but were planned political strategies that used indirection to say what could not be said directly.

Plays by Romanian, Hungarian and Bulgarian dramatists are examined, who are “retrofitting” the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region’s traumatic history. By the sustained analysis of the aesthetic devices used as political tools, Orlich makes a very strong case for the continued relevance of the theater as one of the subtlest media in the public sphere. She embeds her close readings in a thorough historical analysis and displays a profound knowledge of the political role of theater history.

236 pages, forthcoming in 2016
978-963-386-116-5 cloth $50.00 / €44.00 / £34.00

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