Practices of Coexistence
(Constructions of the other in early modern perceptions) was launched on 15th June at the Central European University in Budapest.

Utopian Horizons was launched on 30th May at CEU Budapest, more.

The Stranger, the Tears, the Photograph, the Touch (Divine presence in Spain and Europe since 1500): a selection of pictures from this book was on display in the Hungarian House of Photography – Mai Manó House until May 24.

The Last Superpower Summits is highly recommended by Choice. The book was presented on April 11 at the Institute for European, Russian, and Eurasian Studies of The George Washington University.

House of a Thousand Floors  is a 2016 Foreword INDIES Finalist in the Science Fiction category. 

2017 Spring/Summer Catalog is available for download.

Roma-Gypsy Presence in the Polish-Lithuanian Commonwealth, 15th-18th Centuries by Lech Mróz received honorable mention for the Kulczycki Book Prize in Polish Studies.

Top five CEU Press titles by number of copies sold in 2016:
With Their Backs to the Mountains
How They Lived
Post-Communist Mafia State
Arguing it Out
Hybrid Renaissance

Top five by sales revenue in 2016:
With Their Backs to the Mountains
How They Lived
Art Beyond Borders
Nationalizing Empires
Holocaust in Hungary





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Practices of Coexistence

Constructions of the Other in Early Modern Perceptions

Edited by Marianna D. Birnbaum and Marcell Sebők

Marianna D. Birnbaum is Research Professor in the Department of Germanic Languages at UCLA. She is also involved in the Medieval Studies Department’s programs at the Central European University, Budapest

Marcell Sebők is a cultural historian of the early modern period at the Department of Medieval Studies of Central European University, Budapest

The essays in this book provide interesting contributions to the ongoing debate concerning the representation of differing cultures, i.e., the “image of the Other” in the early modern period . They deal with images, projections, and perceptions, based on various experiences of coexistence. Although the individual contributions contain sources and references of iconography, this is not just another volume of art history or visual studies. As examples of practices in diverse historical contexts, the book includes a variety of textual material, such as literary productions, rhetorical exercises, dramatic applications, chronicles, epistles, and diary-like historical accounts that express ethnographic sensitivities. Thus, supported by a thorough research apparatus, these studies propose a new cultural history of the early modern coexistence of various communities, as identified in current research by young scholars.

Another novel feature of the volume is the deliberate digression of traditional scholars’ focus and the investigation of rarely examined regions and practices. This approach allows the contributors to spotlight their special areas of research and to share a fresh new look at “the Renaissance.”

978-963-386-149-3

240 pages with 12 charts and photos, cloth, 2017

$65.00 / €60.00 / £52.00

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