The latest release is Castle and Cathedral in Modern Prague (Longing for the sacred in a skeptical age). 

CEU Press participates in the Leipzig Book Fair, March 23-26.

The Stranger, the Tears, the Photograph, the Touch (Divine presence in Spain and Europe since 1500): a selection of pictures from this forthcoming book is going to be displayed in the Hungarian House of Photography – Mai Manó House from March 23.

How They Lived, volume 2 by András Koerner: book launch took place at the Center for Jewish History, New York on March 14, 2017, moderated by Frank Mecklenburg, Director of Research and Chief Archivist at Leo Baeck Institute.

Book launch and panel discussion of Twenty-five Sides of a Post-Communist Mafia State with Bálint Magyar, Júlia Vásárhelyi, András Bozóki, and Balázs Trencsényi was held on March 10, 2017 at the Budapest campus of the Central European University.

2017 Spring/Summer Catalog is available for download.

Roma-Gypsy Presence in the Polish-Lithuanian Commonwealth, 15th-18th Centuries by Lech Mróz received honorable mention for the Kulczycki Book Prize in Polish Studies.

On Holocaust Memorial Day CEU Press offered a selection of texts and photos from recent publications of the press.

Top five CEU Press titles by number of copies sold in 2016:
With Their Backs to the Mountains
How They Lived
Post-Communist Mafia State
Arguing it Out
Hybrid Renaissance

Top five by sales revenue in 2016:
With Their Backs to the Mountains
How They Lived
Art Beyond Borders
Nationalizing Empires
Holocaust in Hungary





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PRACTICES OF COEXISTENCE

Constructions of the Other in Early Modern Perceptions

Edited by Marianna D. Birnbaum and Marcell Sebők

Marianna D. Birnbaum is Research Professor in the Department of Germanic Languages at UCLA. She is also involved in the Medieval Studies Department’s programs at the Central European University, Budapest

Marcell Sebők is a cultural historian of the early modern period at the Department of Medieval Studies of Central European University, Budapest

The essays in this book provide interesting contributions to the ongoing debate concerning the representation of differing cultures, i.e., the “image of the Other” in the early modern period . They deal with images, projections, and perceptions, based on various experiences of coexistence. Although the individual contributions contain sources and references of iconography, this is not just another volume of art history or visual studies. As examples of practices in diverse historical contexts, the book includes a variety of textual material, such as literary productions, rhetorical exercises, dramatic applications, chronicles, epistles, and diary-like historical accounts that express ethnographic sensitivities. Thus, supported by a thorough research apparatus, these studies propose a new cultural history of the early modern coexistence of various communities, as identified in current research by young scholars.

Another novel feature of the volume is the deliberate digression of traditional scholars’ focus and the investigation of rarely examined regions and practices. This approach allows the contributors to spotlight their special areas of research and to share a fresh new look at “the Renaissance.”

978-963-386-149-3

250 pages with 12 charts and photos, cloth

forthcoming in 2017

$65.00 / €60.00 / £52.00

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