Utopian Horizons will be launched on Tuesday, 30th May at 4:00 pm.
Venue: CEU, 1051 Budapest, Nádor utca 15., Room Quantum 101 more

 

CEU Press attended the 52nd International Congress on Medieval Studies at the Western Michigan University, May 11-14, 2017.
In addition to the extensive backlist, two new titles were on display: The Lettered Knight and The Visual World of the Hungarian Angevin Legendary.

The latest release is Totalitarian Societies and Democratic Transtion (Essays in memory of Victor Zaslavsky).

The Stranger, the Tears, the Photograph, the Touch (Divine presence in Spain and Europe since 1500): a selection of pictures from this book is on display in the Hungarian House of Photography – Mai Manó House until May 24.
The book was presented by Vlad Naumescu, Associate Professor at CEU's Department of Sociology and Social Anthropology at a book launch on May 4.

The Last Superpower Summits is highly recommended by Choice. The book was presented on April 11 at the Institute for European, Russian, and Eurasian Studies of The George Washington University.

House of a Thousand Floors  is a 2016 INDIES Finalist in the Science Fiction category. 

2017 Spring/Summer Catalog is available for download.

Roma-Gypsy Presence in the Polish-Lithuanian Commonwealth, 15th-18th Centuries by Lech Mróz received honorable mention for the Kulczycki Book Prize in Polish Studies.

Top five CEU Press titles by number of copies sold in 2016:
With Their Backs to the Mountains
How They Lived
Post-Communist Mafia State
Arguing it Out
Hybrid Renaissance

Top five by sales revenue in 2016:
With Their Backs to the Mountains
How They Lived
Art Beyond Borders
Nationalizing Empires
Holocaust in Hungary





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THE NEOPOPULAR BUBBLE

Speculating on "the People" in Late Modern Democracy

Péter Csigó

Péter Csigó is a Hungarian sociologist researching collective speculation at the fields of popular media and democratic politics.

The common critique of media- and ratings-driven politics envisions democracy falling hostage to a popularity contest. By contrast, the following book reconceives politics as a speculative Keynesian beauty contest that alienates itself from the popular audience it ceaselessly targets. Political actors unknowingly lean on collective beliefs about the popular expectations they seek to gratify, and thus do not follow popular public opinion as it is, but popular public opinion about popular public opinion.

This book unravels how collective discourses on “the popular” have taken the role of intermediary between political elites and electorates. The shift has been driven by the idea of “liquid control:” that postindustrial electorates should be reached through flexibly designed media campaigns based on a complete understanding of their media-immersed lives. Such a complex representation of popular electorates, actors have believed, cannot be secured by rigid bureaucratic parties, but has to be distilled from the collective wisdom of the crowd of consultants, pollsters, journalists and pundits commenting on the political process.

The mediatization of political representation has run a strikingly similar trajectory to the marketization of capital allocation in finance: starting from a rejection of bureaucratic control, promising a more “liquid” alternative, attempting to detect a collective wisdom (of/about “the markets” and “the people”), and ending up in self-driven spirals of collective speculation.

978-963-386-167-7

426 pages, 2017, cloth

$65.00 / €60.00 / £52.00

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